As Ivan Goldman’s Isaac: A Modern Fable nears its conclusion, one of the novel’s narrators makes a telling observation: “Whatever we think we know, we’re just guessing, like everyone else.” In context, the narrator, Ruth, is commenting on her familiarity with a slippery and sinister academician named Borges, but the line also captures the essence of the novel itself. Drawing heavily on the Biblical tale of Abraham and Isaac, this “modern fable” serves as a telling commentary on humanity’s ongoing struggle with questions of religion and our intimations of the divine. To wit: What’s the difference between those who claim to hear the voice of God and those who are just plain crazy?
The novel centers on the romance between its two narrators, Lenny and Ruth. Complicating matters is the fact that Lenny is actually the Biblical Isaac, reports of whose death, he quickly informs us, have been greatly exaggerated. Indeed, he’s managed to hang on to his life for over 200 generations without aging so much as a day—forgotten, in his words, by God and the world. But not, it turns out, by another immortal known only as “the beast.”
The fantastic nature of the novel suggests a more mature, not to mention literate, version of the Twilight series. But if Lenny is a world-weary answer to Stephanie Meyer’s Edward Cullen, Ruth stands out as a far more willful, mature, and headstrong antidote to Bella Swan. That the novel also takes shots at ivory-tower academia and celebrity culture while dropping references to the likes of Don DeLillo, Thomas Pynchon, Jorge Luis Borges, and Toni Morrison only adds to the fun.
A tale of Biblical proportions playing on the fringes of magic realism, Isaac is a compelling novel about what we accept and what we deny and how we struggle to tell the difference.