Author: Zapatero

Marc Schuster was the author of The Singular Exploits of Wonder Mom and Party Girl and The Grievers. He now records music under the name Zapatero.

Tracking the Man-Beasts

Screen Shot 2017-05-23 at 9.26.51 AMIt would be tempting to paint Joe Nickell, author of Tracking the Man-Beasts, as a bit of a wet blanket — like the well-meaning uncle who tells kids there’s no such thing as Santa Claus or the neighborhood know-it-all who has an answer for everything. But that’s not what he is — not even close. Far from being a cantankerous curmudgeon who laments humanity’s gullibility in the face of the seemingly inexplicable, he’s a clear-eyed, level-headed investigator who revels in uncovering the truth.

Given the proliferation of man-beasts over the centuries, Nickell is wise to divide his investigation into five categories: “Monster” Men (including a wide range of circus “freaks”), Hairy Man Beasts (of the Yeti and Sasquatch varieties), Supernaturals (like werewolves and vampires), Extraterrestrials (in various shapes and sizes), and Manimals (which take the form of either human-headed animals or animal-headed humans). Throughout the proceedings, Nickell offers a fascinating blend of historical context, pop psychology, and personal experience to explain the seemingly inexplicable. While several of the man-beasts in question are revealed as hoaxes, many others emerge as manifestations of humanity’s greatest hopes and fears. We see Yeti in the footprints of mangy animals because we want to believe that nature still holds mysteries. We see little “green” men in place of barred and barn owls because we want to believe we’re not alone. And, of course, we tend to see all of these phenomena in under cover of night because that’s when our fearful imaginations are most fertile.

While Tracking the Man-Beasts thoroughly debunks the mythologies surrounding many cryptozoological legends, the book’s ultimate revelation is humanity’s infinite capacity for ingenuity and imagination. To borrow a phrase from The X-Files, the truth is certainly out there, and Nickell’s investigation drags it, sometimes kicking and screaming, into the light of day.

Submissions Being Accepted at End of 83

Submissions are now being accepted at End of 83, a literary magazine published online and in print by the Baltimore Writing Hour, a public writing group in Baltimore, MD. End of 83 seeks to publish the best in poetry, fiction, nonfiction, illustration, and photography. They love good pieces about Baltimore and the Mid Atlantic but do not exclusively […]

via Call for Submissions: End of 83 Magazine — JMWW

Who Knew?

Screen Shot 2017-04-27 at 12.38.28 PMOn the surface, Richard F. Libin’s Who Knew? is a commonsense guide to the somewhat lost art of salesmanship. The problem, as Libin describes it, is that even seasoned salespeople have lost sight of what selling is about. In his words, “Most people believe that selling something means persuading someone to purchase a product or a service. This is where salespeople and sales in general start to fail. Effective selling starts with the customer, not with what you are trying to sell.” In other words, sales isn’t about products. It’s about people. And while good salespeople certainly have expertise about the products and services they are selling, the best have greater expertise in relating to others.

Appropriately, Who Knew? is as much a guide to selling as it is a guide to relationships, and Libin’s advice is applicable to people in all walks of life. What’s more, it’s easy to understand. Whether he’s extolling the power of positive thinking, sharing anecdotes from his own experience as both a salesperson and a customer, or proffering strategies for improving one’s listening skills, Libin comes across as a down-to-earth, practical tutor whose aim is to share his experience. Reading his book is like being with someone who’s been in the trenches, has no plans of leaving them, and is now on hand to help anyone who needs some advice.

Ultimately, Libin’s is a gospel of mindfulness. In sales as with everything else in life, we need to be present in all of our dealings. Or, in Libin’s words, to succeed, “You must be 100% in the game and ready to work with a single-minded focus for each client.” A tall order in a world that’s increasingly filled with all sorts of distractions, but one worth heeding nonetheless.

An excellent primer for anyone considering a job in sales or looking to brush up on their sales practices, Who Knew? also works as a practical handbook for the myriad social exchanges we all experience in everyday life.

The Mosquito and the Bumble Bee

Screen Shot 2017-03-23 at 8.51.38 AMApologies to Nick Lowe (and, of course, Elvis Costello), but as I walk through this wicked world searching for light in the darkness of insanity, I do, in fact, ask myself if all hope is lost. So much anger, so much arguing, so much partisanship in all corners of the globe. It all makes me wonder why we all can’t just get along — or at least try to find some common ground once in a while.

Fortunately, a new children’s book by Scot Sax offers hope. In The Mosquito and the Bumble Bee, the title characters start off as rivals — each insect revels in ruining picnics and camping trips, but when they meet, they immediately see each other as rivals. Ultimately, though, they come to a realization that theirs is a rivalry based on trivial differences, and with a bit of soul-searching (not to mention some Googling), they eventually figure out that what they have in common is far greater than any trivial differences that might arise between them. And in the end (spoiler alert!), love trumps hate.

With charming illustrations by Molly Reynolds, The Mosquito and the Bumble Bee offers young readers an important lesson on appreciating differences and building friendships — not to mention some interesting information on bees and mosquitoes. It’s a welcome addition to any child’s library — and I can think of plenty of adults who can stand to read it, too!

Striving for an Ideal World: Art and Reality in Philip K. Dick’s The Man in the High Castle

Not quite a small press title, but a thought-provoking read nonetheless!

Zapateria: The World of Zapatero

screen-shot-2017-02-14-at-11-26-53-amOver the past few days, I’ve been reading The Man in the High Castle by Philip K. Dick. It’s a novel that imagines a world in which the United States lost World War II. Within this world, Americans living on the west coast are regarded (and, indeed, regard themselves) as social inferiors to their Japanese rulers. Compounding this perception is the fact that Americans have yet to fully adapt to Japanese social norms. As a result, they are always second-guessing everything they say and do. Thus they live in a constant state of uncertainty and anxiety. Nonetheless, because history played out the way that it did, they regard their current state of affairs as “normal” or the natural order of things.

Challenging this perceived natural order of things in the context of the novel is a book titled The Grasshopper Lies Heavy, which describes an alternate universe in which…

View original post 988 more words

Gender and the Quest in British Science Fiction Television

screen-shot-2016-11-08-at-8-53-21-amIn Gender and the Quest in British Science Fiction Television, Tom Powers examines Doctor Who, Torchwood, Red Dwarf, and Blakes 7. As the book’s title suggests, in addition to genre, one thing Powers sees as the common thread shared by the programs in question is that their heroes’ various journeys of self-discovery have as much to do with their sense of gender identity as they do with defeating threats from the near and far reaches of the universe. What’s more, Powers also argues that each show’s fan base has, over the years and to one extent or another, encouraged BBC production teams  to explore sexuality in ways that are both subtle and overt.

Specifically, Powers coins the term Continuum of Nostalgic Continuity to describe the complex relationships among television programs, their producers, and their viewers. Within this continuum, some fans demand that their favorite characters adhere to norms and mythologies established by early or classic iterations of the shows in which they appear, while more progressive fans imagine alternate realities for their heroes via various forms of fan fiction, cosplay, and speculative quasi-academic criticism of the shows they love. Caught in the middle are the shows’ producers who, in Powers’ estimation, walk a fine line between envisioning brave new futures for their respective shows and keeping the old guard happy. Or, in Powers’ words, the book explores the ways in which producers and fans are “continually engaged in an ongoing act of media synergy and conflict that distinctively shapes and stalls their gendered heroic SF mythologies.”

While a working knowledge of social theorists like Pierre Bourdieu and Michel de Certeau will certainly help readers make their way through Gender and the Quest, Powers is at pains to explain key concepts clearly and succinctly throughout his analysis. Additionally, his own apparent love for the programs in questions (early on he describes himself as an “aca-fan,” i.e., an academic who is also a fan, and therefore not entirely objective about his chosen object of study) does not blind Powers to the fact that many of his readers may not be overly familiar with the more obscure elements of the programs in question, particularly with respect to Blake’s 7 and Red Dwarf.  Indeed, Powers comes off as most engaged with his material when he’s guiding readers through key moments of each show’s history, both onscreen and behind the scenes.

All told, Gender and the Quest is a thoughtful examination of the ways in which individuals and systems interact with each other to bring about change that applies not only to television but to society writ large. Ultimately, we are all simultaneously producers and consumers of culture in one way or another, Powers suggests, and in our roles as both, we shape the world we live in — even if we do so at a glacial pace.

And Party Every Day

300Anyone familiar with the KISS anthem “Rock and Roll All Nite” will immediately guess how Larry Harris came up with the title for And Party Every Day, a memoir that focuses on his the years he spent working for his cousin Neil Bogart at Casablanca Records in the 1970s. What they may not realize, however, is that KISS was only one act in the veritable circus of stars that called Casablanca home during the entertainment company’s golden age — Donna Summer, the Village People, George Clinton and Parliament Funkadelic chief among them. Throughout the book, Harris details the wild risks that Bogart took in order to put his company on the map, and though his high esteem of the record exec’s business acumen in the early days of the company is clear, the author also offers a realistic critique of the choices that eventually led to Casablanca’s downfall. Taking a chance on KISS, for example, showed great foresight, as did signing a wide range of disco acts before the genre really took off. By way of contrast, putting out four simultaneous solo albums by the members of KISS and continuing to sign disco acts after the genre had peeked were a sign that things were starting to go south for the company.

Anyone with an interest in the music and culture of the 1970s will find something to enjoy in this memoir — so much so that if the creators of the recent HBO series Vinyl had based the show more concretely on Harris’s book, it might have been a hit. Indeed the yawning chasm between that series and And Party Every Day suggests that when it comes to the record industry, truth will always be stranger, not to mention more entertaining, than fiction.