book

And Party Every Day

300Anyone familiar with the KISS anthem “Rock and Roll All Nite” will immediately guess how Larry Harris came up with the title for And Party Every Day, a memoir that focuses on his the years he spent working for his cousin Neil Bogart at Casablanca Records in the 1970s. What they may not realize, however, is that KISS was only one act in the veritable circus of stars that called Casablanca home during the entertainment company’s golden age — Donna Summer, the Village People, George Clinton and Parliament Funkadelic chief among them. Throughout the book, Harris details the wild risks that Bogart took in order to put his company on the map, and though his high esteem of the record exec’s business acumen in the early days of the company is clear, the author also offers a realistic critique of the choices that eventually led to Casablanca’s downfall. Taking a chance on KISS, for example, showed great foresight, as did signing a wide range of disco acts before the genre really took off. By way of contrast, putting out four simultaneous solo albums by the members of KISS and continuing to sign disco acts after the genre had peeked were a sign that things were starting to go south for the company.

Anyone with an interest in the music and culture of the 1970s will find something to enjoy in this memoir — so much so that if the creators of the recent HBO series Vinyl had based the show more concretely on Harris’s book, it might have been a hit. Indeed the yawning chasm between that series and And Party Every Day suggests that when it comes to the record industry, truth will always be stranger, not to mention more entertaining, than fiction.

 

One More Day

In her third novel, One More Day, Kelly Simmons deftly demonstrates that she is an author who is not afraid to take risks when it comes to the art of storytelling. The novel centers on a young mother whose child is snatched from his car seat while she’s tending to a particularly onerous parking meter. Roughly a year later, however, the child reappears for (as the title suggests) a single day before disappearing again. His reappearance and subsequent disappearance opens old wounds and forces the young mother to reflect on her marriage, her culpability in the disappearance of her child, and to come to grips with distant memories that continue to haunt her. In this respect, One More Day is similar to the author’s previous novels, Standing Still and The Bird House, both of which take memory and the tendency of the past to haunt the present as major themes. With One More Day, however, Simmons pushes into new territory, experimenting with unreliable narration and a healthy dose of magic realism. One also catches a very slight hint of Christian allegory a la William P. Young’s The Shack, particularly given the protagonist’s occasional reflections on faith in general and her relationship to her church in particular. Overall, One More Day is not only a mystery but an existential reflection on the frequently fraught relationships between the past and the present, not to mention the living and the dead.

PS: Shout out to FP Dorchak: This one is right up your alley!

Elvis Is King: Costello’s My Aim Is True

Elvis is King CoverWord on the street is that Elvis Costello has a memoir due in October. For those who can’t wait, there’s Richard Crouse’s Elvis Is King: Costello’s My Aim Is True, a meticulously researched account of Costello’s early years and the release of his first LP with independent label Stiff Records. Of particular interest with respect to this volume is Crouse’s attention to the milieu out of which both My Aim Is True and Costello himself emerged. Indeed, the sense one gets is that Costello’s identity congealed around the production and marketing of his first album in ways that few other acts ever did. “Elvis Costello,” the stage name adopted fairly late in the proceedings by singer-songwriter Declan McManus, emerges as somewhat of a construct, an amalgam of various mythical figures of rock’s colorful history — Elvis Presley and Buddy Holly in particular. Crouse also does an excellent job of contextualizing the album in question. Not punk by any stretch of the imagination (Costello’s backing group for this project was an American country-rock band called Clover), My Aim Is True nonetheless appealed to the raw DIY aesthetic as well as the iconoclastic attitudes of the indie and punk movements of its time. Though relatively brief (and appropriately so, given its narrow focus), Elvis Is King presents a tight, thorough portrait of the musician as a young man that will appeal not only to die-hard Costello fans but rock historians in general.

What’s Your Poison? (an interview with Karen Lillis)

Karen Lillis selling books at her pop-up bookstand, Small Press Pittsburgh. Photo credit: Laura Zurowski

Karen Lillis selling books at her pop-up bookstand, Small Press Pittsburgh. Photo credit: Laura Zurowski

Last month I brought news of Small Press Roulette, a new service designed by Karen Lillis to add the element of chance to the business of connecting readers with small press books and journals. Personally, I love the idea. Confronted with the wide range of indie offerings that the 21st-century publishing world has to offer, it’s almost impossible to decide what to read next. Sure, it’s a bit of a gamble, but playing Small Press Roulette means I don’t have choose, which is a big deal for me because I’m the poster-child for indecision. Curious about Small Press Roulette, I placed an order (reviews to come!) and emailed Karen with a few questions…

How would you describe Small Press Pittsburgh?

Small Press Pittsburgh is an evolving small press showcase. It’s a bookstore that started out as a web resource. Right now it is four things: a pop-up street bookstand (in Pittsburgh) selling indie press books, zines, and journals; a curated bookstore service (“Small Press Roulette”) for small press readers everywhere; a web directory for literary Pittsburgh; and a Facebook page for Pittsburgh literary announcements.

The bookstand has a heavy emphasis on Pittsburgh authors and publishers, and browsers so far have been most excited by discovering Pittsburgh authors. With the bookstand, I’m interested in bringing the larger indie lit world to Pittsburgh, while also making Pittsburgh’s emerging authors (and publishers) better known to Pittsburgh readers (especially outside the lit scene). With the bookselling service, Small Press Roulette, I want to introduce the best of the underground small press to readers who aren’t over-familiar with the authors I’m sending them. There are more great writers than the ones who are getting all the hype. Or, sometimes a writer is getting the hype, but not in a wide enough area—they’re some city’s local celebrity while remaining a national secret.

The mission of Small Press Pittsburgh (in any form) has always been to promote small and micro- presses and make them more visible—easier to find for anyone who’s looking. It started with the web directory, creating listings for all the indie publishers of Pittsburgh. Now I guess I’m getting impatient—it’s not enough to passively promote. Now I’m willing to stand on the street with all those indie publishers’ books and talk to people until they buy one. “We’ve got fiction! We’ve got poetry! We’ve got graphic novels! What’s your poison?” I’m like a carnival barker once I smell a passerby who’s genuinely curious about the books.

Small Press Pittsburgh has also been interested in cross-fertilization from the start. One big aim of the website is to help writers and publishers from outside Pittsburgh who are planning book tours and readings—I want to demystify Pittsburgh’s reading venues and bookstores in order to bring outside readers here. Now I get to cross-fertilize readers and writers through the bookstand and the roulette bookselling. I get to sell Baltimore zines to New Orleans, Pittsburgh memoirs to New Jersey, Pittsburgh graphic novels to San Diego, and San Francisco fiction to Pittsburgh. And so on.

How long has it been in operation?

The website started in 2008, and expanded a few times. The Facebook announcement page has been around for a couple of years. The pop-up bookstand started in early July 2013, and Small Press Roulette began in late July 2013.

What gave you the idea to do it?

The website came about because I came to Pittsburgh and saw a small but vibrant, dedicated but balkanized literary scene. It seemed like the academics kept their distance from the underground writers, and the “literary” writers didn’t always associate with the zinesters or the slam poets. I was in library school when I created the website for a cataloging class. Thinking as a librarian, I wanted to show what a healthy literary scene Pittsburgh had by democratizing each facet. To a librarian, each of those literary scenes is equal. Whereas the people inside the scenes can be blinded by concerns of the ego: Worrying whether their scene has enough clout or convinced that their scene is so much better than the others.  As an outsider, I thought it would create a point of strength just to show how much was going on in Pittsburgh, to record it all in one place.

Evolving into the pop-up bookstand happened much more recently. I was inspired by a few different sources. I was following Mellow Pages Library really closely, a new small press library in Brooklyn. And I kept organizing Pittsburgh’s small presses to give me copies of their books, and I’d send them as library donations en masse. I’d label the packages “from Small Press Pittsburgh.” Next the Polish Hill Arts Fest was coming up, a street fair here where I had tabled as an author the previous year. The organizers were asking me to come back, but I wasn’t convinced it was worth it to sit there with my own novels. One of the organizers, Laura Zurowksi, knew about the packages I’d been sending to Mellow Pages. She suggested I could do the same thing—get books together from local publishers and showcase everyone’s, not just my own. I loved the idea, it made me excited about tabling again.

I think sometime after hearing about The Newsstand in Brooklyn, I bought a book/magazine rack, supposedly to augment table space at the arts fest. But as soon as I bought it I felt like I could sell books anywhere. Since then I’ve been popping up at events like gallery crawls—my next event is the grand opening of a library.

What are some challenges you face with the SPP bookstand?

Rain, wind, gravity. Every outdoor event has been under threat of severe thunderstorms. The first time we set up the bookstand, a good gust of wind came through and blew almost every book off the stand and onto the sidewalk. We clipped a trash bag to the back of the stand, which helped that dilemma. The physics of the bookstand itself is something I’m still working out—the “shelves” are very shallow, which is good for face-outs, but it’s easy for a book to start a domino effect. One book leans forward at the wrong angle, and in a few seconds, twenty books have fallen off. This is tedious because the books start to get damaged if they fall two or three times. Not terribly so, but visibly. It reminds me of another challenge—when the books are threatened by damage from falling or rain, it makes me see a very-low overhead operation (a lot of consignment books) as hundreds of dollars of stock I’m suddenly responsible for. Which is fine, as long as I adjust my thinking.

What do you enjoy about it?

I love connecting people to books. Readers love discovering new books, so I love watching people get curious, start to browse. I try to gauge how much book talk they do or don’t want. Some people want to be talked into a book, others feel like that’s condescending. Often it’s more like conversation between book lovers—”I loved X book for Y reason, you should check it out.” Other times it’s just describing the basics so it piques interest without sounding like arm-twisting. “This is a true crime novel about a group of misfits working on an underground newspaper.”

Part of the enjoyable work is behind the scenes—curating a selection of books I know are great reads, or interesting small press items. I want books I can stand up for, and book design that’s bold and eye-catching, books that feel good in your hand. There’s books that are good reads but that have terrible design—they’re too POD, they have terrible font or colors, or they’re way too stuffy looking. Some books have a cover so dull it screams, “I CAN BE SOLD AT A READING OF SYMPATHETIC PEOPLE BUT NOWHERE ELSE.” I don’t always have time to convince people what’s between the covers. There’s a brief window where my potential customers might stay interested in my bookstand or might keep walking on to wherever they were actually headed. I want books whose design suggests in a glance how urgent and interesting the content is. I want books whose design is half the sell.

What gave you the idea for Small Press Roulette?

The Polish Hill Arts Fest was a big event for the bookstand, and I had gathered a lot of books for it. There was a lot of anticipation. I was checking the weather, which was calling for 0% chance of rain—I kept checking all week and that’s what it said, over and over, “0% chance of rain.” We ended up having five excellent hours of selling books—our area was always busy with browsers—and then a deluge came out of nowhere. Hard rain for over an hour. The stands weren’t quite all the way under a tent, and I had overstock sitting on a lawn….It was very stressful getting the books put away quickly and unharmed, and it was really disappointing to be cut off from the best day yet for the bookstand.

The next morning I took the momentum of all the browsers and invented Small Press Roulette. I wanted a rain-proof way for people to have access to the books. But at the same time, I’m not interested in promoting the books individually on the internet. Why are readers going to enjoy my jpeg book cover over Amazon’s jpeg book cover, over Powell’s jpeg book cover? Internet book sales is a cutthroat game. People want the lowest price, or they want their go-to bookstore, or they want to buy direct from the author or the publisher. One bookseller can knock themselves out hyping a book online and the customer will still go to Amazon or Ebay looking for a lower price. I can’t compete with those things. But I knew I could try to harness the excitement that far-flung readers had expressed when the news first came out about the Small Press Pittsburgh bookstand. I think that the Kickstarter phenomenon has shown us that people want to support ideas they’re excited about, and the people behind those ideas. And publishers Richard Nash of Cursor/Red Lemonade and Matthew Stadler of Publication Studio have both talked about giving customers a chance to support the author or publisher at different price points or different levels of involvement. Readers want to be involved with the writer, but different readers will have different financial capacities. Some people want to be involved for $2 and others want to be involved for much more. Right now Small Press Roulette goes between $2 and $15, but I’m planning to expand it. I already had an order from a bookstore for $75.

What makes it fun?

Connecting people to books I think they would genuinely like thrills me. I sometimes do a lot of research when I get an order. In a way, it means I’m working as a Small Press Librarian for the first time. A lot of people think I am a working librarian because of the title of my blog, but library jobs are scarce in this economy. I’m trying to invent the small press library job I’m built for. This is like Reader’s Advisory meets bookselling.

Helping writers and books I believe in find readers who devour them is another thrill. I hate watching talented writers work hard to languish in obscurity.

Photo Credit: Robert Lee Bailey

Photo Credit: Robert Lee Bailey

Links of interest:

Twenty Four Hours Zine blog interview about the Small Press Pittsurgh bookstand: http://twentyfourhourszine.blogspot.com/2013/07/small-press-go-go-talking-with-karen.html

Gigantic Sequins interview about the Small Press Pittsburgh bookstand:

http://giganticsequins.com/spotlights-2/spotlight-karen-lillis/

Karen the Small Press Librarian blog:

http://karenslibraryblog.blogspot.com/

Small Press Pittsburgh website:

http://smallpresspittsburgh.wikispaces.com/

Small Press Roulette:

http://smallpresspittsburgh.wikispaces.com/Small+Press+Roulette

Want, Wound

Want, WoundI’ve admired the work of Nicole Monaghan for a long time, so I was very excited when she asked me to provide a blurb for her first collection of fiction, Want, Wound. The blurb I provided reads, “A loving exploration of the tender corners of the human heart and the empty spaces we all long to fill.” While this blurb does a decent job of capturing what Nicole does so well in all of her work, I’m not sure it does her book justice. Throughout the volume, she takes every opportunity she can to inhabit the skin of “the other.” Sometimes this involves imagining what it must be like to be a man. Other times, she explores the inner world of children yearning to impress their parents or insecure teens trying to make sense of the world or adult women struggling with addictions. In every instance, Nicole come across as a true empath, an author with a preternatural ability to feel the pain and love and longing of every character she imagines. As a result, Want, Wound is a moving, touching, tiny wonder of a book.

Safe As Houses

bookcoverI’ve been intrigued by the phrase “safe as houses” since I first heard it in Depeche Mode’s “Never Let Me Down Again” many years ago. What, exactly, I’ve often wondered, is so safe about houses? Doesn’t some high percentage of household injuries occur within the home? And why are so many of my best observations completely solipsistic?

In many ways, Marie-Helene Bertino’s collection of short stories Safe As Houses obsesses over all of these issues with a wry blend of wit, humor, irony, magic realism, and ultimately hope. Throughout the collection, Bertino offers her readers inventive scenarios in which her characters long for the various and frequently elusive forms that the comforts of home might take. There’s the young woman who loses her home in a fire and attempts to win the affections of her wayward father by buying him a dachshund with the insurance money — all while trying to avoid picking up a free ham she’s won at the local grocery store. There’s (How do I explain this in as few words as possible?) the estranged couple whose component members bump into each other while dating idealized versions of each other. (The story is called “The Idea of Marcel.” I assigned it in my American Lit. class. Trust me… It’s great!) There’s the former record-keeper for a group of rebellious college superheroes who combs through memories of the best years of her life in an effort to figure out how she ended up married to a millionaire and living a beautiful but boring suburban home.

To put it simply, if you like quirky, heartfelt short stories, you’ll find a lot to love in this collection. Throughout the collection, Bertino exhibits a proclivity not only for making the outlandish seem at least provisionally plausible, but also for effectively reversing that formula and making it clear that so much of what we take for meaningful and real is ultimately ephemeral. Though it would be a cliche to suggest that Safe As Houses reminds us that home is where the heart is, I’m half-tempted to say that this is the over-arching point of this collection. Yet Bertino takes that cliche and makes it new by exploring all of its implications and reminding us that home is as much a state of mind as anything else. We are all longing for home in one way or another. Though no story could ever fully satisfy that longing, Bertino’s collection goes a long way toward reminding us that we’re not alone in our quest.

(For a longish, meandering, and somewhat creepy prologue to this review, visit Abominations: Marc Schuster’s Random Musings.)

 

Conquistador of the Useless

Conquistador of the UselessIn many ways, Joshua Isard’s Conquistador of the Useless offers the perfect counterpoint to Spencer Dew’s Here Is How it Happens (reviewed here two weeks ago). Where Dew’s protagonists are college-aged rebels doing their best to avoid making the leap to post-college mainstream society, Isard’s novel finds a somewhat similar similar pair of lovers adjusting, at times uncomfortably, to a bourgeois suburban lifestyle about a decade after graduation.

The novel begins with narrator Nathan Wavelsky and his wife Lisa moving into a new home and learning upon meeting their new neighbors that the beloved music of their youth has been reduced to the status of a glorified tchotchke in the form of a Fender Jaguar signed by the members of Nirvana and mounted behind a thick pane of glass. That Nathan makes a good living as a corporate hatchet man only adds to his growing sense of ennui, and Lisa’s sudden desire to start a family makes matters worse.

The problem isn’t necessarily that he ever saw himself as a rebel, nor is it that he sees settling down in suburbia as a sign of giving up on his dreams. The problem, as far as he can tell, is that he never really had any big dreams to begin with — so he does what any red-blooded American would do. He goes out and gets one. Or at least he stumbles upon one when his old college buddy shows up with a scheme to climb Mount Everest. What follows is a journey of self-discovery that allows Nathan to recognize that what matters most in his life. (Hint: It has nothing to do with the mountain.)

In terms of style, Isard’s writing reminds me of Shaun Haurin and Curt Smith. Like Haurin, Isard places the musical tastes of his characters front and center through much of the narrative while, like Smith, he demonstrates a firm understanding of the compromises we all make on the long, winding path to adulthood. I’d mention that Nathan’s relative lack of direction and ambition echo the same traits in Charley Schwartz, the beleaguered narrator of my own novel, The Grievers, but that would be self-serving, so I’ll just say that on nearly every page of Conquistador of the Useless I found something that struck a chord. I’d even be willing to bet that anyone who grew up at the tail-end of Generation X will find something to love in this book — the protagonist’s angst over drifting, however late, into adulthood, his taste in music, or even his fraught-if-only-because-it’s-so-damn-pleasant relationship with his parents. All told, a fine novel about settling down without settling.